documentary

REVIEW: WORST IN SHOW (2011)

Worst In Show

 

WORST IN SHOW  is one of those documentaries that works so well no matter if one gives a flying fuck about dogs, or pets of any kind, for that matter. I, myself, think dogs are cool but would only have one if it didn’t act like a dog because I have a hard enough time cleaning up after my own mess let alone a dog’s. Why does this documentary work so well? It works so well because even though the dogs are the stars of this film they really aren’t. They aren’t the stars because they can’t talk; they don’t do anything in the documentary but sit there in their owner’s arms or laps. The stars of this film are the owners and I only say that because their personalities are so strong—some of them strong in a very bad way (or simply hilarious way!).

 

Sometimes I can be harsh and say things that others believe will land me in eternal damnation or some other sort of Hell. Well, whether one believes in Heaven or Hell is beside the point because WORST IN SHOW showcases some of the biggest losers I have ever seen on dvd before. I do not mean that in the nicest context possible. I mean that as an insult and the only plus to this statement on these individuals is the fact that their loser title (given to them by yours truly) amuses the shit out of me. These dorks are so entertaining in their mannerisms, their devotion to their pets, their almost sleazy pathetic actions to milk the fame from their pets for all its worth. I don’t think one can get any lower than using their dog as their way to fame and fortune. Well, maybe no one is getting any fortune anytime soon, but a few of these owners certainly are getting in the spotlight more than they could ever imagine if not for the help of their ugly-ass dog.

 

That being said, let us break apart WORST IN SHOW and see what components to this documentary about the world’s ugliest dog competition in Petaluma, CA make it a winner…. or just a total loser.

 

The film focuses on three particular dogs and their owners: Rascal (the veteran), Icky (the rookie), and Pabst (the underdog). The dogs are not very good looking, some far uglier than others, but I was only somewhat interested in the dogs. I was far more interested in the owners and their quirky personalities. Specifically, the owner of Rascal (whom I won’t mention by name for fear of some sort of reprisal or backlash) has to be the biggest retard on the planet. I don’t use the word retard to put down those that have been fraught with developmental disabilities that are beyond their control but I use it to describe an individual that has no mental impairments and STILL manages to appear to lack any sort of social, mental, or academic grace whatsoever. The owner of Rascal is neurotic, delusional, and clueless about everything. The man acts as a PR wrecking ball trying to pimp his dog in every way possible and attend every event that may publicize his ugly mutt. The man is a spotlight whore. He adores publicity. He adores it in a sickening and annoying sort of way. Frankly, I wanted to take his dog and kidnap it and have his reaction recorded so I could laugh at it every day.

 

I watched WORST IN SHOW waiting to see what stupid words came out of Rascal’s owner’s mouth…and boy did they ever come. Every single moment this idiot was interviewed he was oozing with selfish pride in a gloating manner. It really sickened me. Then it angered me. Then it just amused me. It amused me because the whole documentary (only running about an hour in length) was created in a format that really showcased some of the ridiculous nature of the whole subject matter.  If you think about it, what can be more absurd then a young adult or middle aged individual spending all, if not most of their spare time trying in vain to make their dog famous for being the ugliest dog on the planet? It is kind of like being famous for nothing. Those dogs are gaining notoriety for just being born a certain way. Being born an ugly freak and these ugly dog contests are really exploitative in nature. Can one imagine if there was a contest in which humans entered where one wins an award or prize for having the ugliest disfigurement or facial features? Oh no, there would be absolute outrage if this contest existed. Society can have a beauty contest but not an ugly contest.

 

The documentary is very entertaining. It digs deep into the dynamics, aesthetics, and minute details of the whole contest. Interviews are conducted with several contestants to the upcoming contest, as well as past winners and owners of ugly dogs. I enjoyed how the directors, John Beck and Don R. Lewis, set up the film to focus on several contestants and “famous” ugly dogs who all are entered into the upcoming contest. The film gives us the result of the winner, as well as a little bit of “where are they now?” tidbits following the epic finale.

 

I watched this documentary for the same reasons that I watch an episode of Hoarders or one of those shows that follows an individual with some sort of O.C.D.—to see what tragedy will occur next. I guess for WORST IN SHOW I watched it primarily to see what Rascal’s owner would do next. Of particular interest was the rivalry occurring between Rascal’s owner and Pabst’s owner. I was hoping for a “Celebrity Death Match” sort of battle at the end, but no such luck.

 

In the end, every dog has its day—even the ugly ones.

 

 

 

 

 


MIND OF THE DEMON: The Larry Linkogle Story

Mind of the Demon

MIND OF THE DEMON: THE LARRY LINKOGLE STORY (2009)

 Freestyle Motocross is one extreme sport that I know absolutely nothing about. Is it extreme? I think I would think it is classified in that genre. I mean, the X Games showcased it before, as well as Snowboarding, Skateboarding, and BMX Riding so I am calling it extreme. Hell, the dudes are riding these tiny motorized bicycles (because they sure as hell are not real motorcycles because they don’t make that roar or weight nearly as much) on a dirt track or hill flying up and down all over the place. Hell, it looks pretty fun and I can imagine it gives those doing a major rush and thrill.

 

Now that one has been given my brief, almost useless amount of information on the sport of Motocross I am going to talk about a documentary I just viewed about what seems to be one of Freestyle Motocross’ ultimate bad boys, Larry Linkogle. If one has never heard of Larry Linkogle, do not be alarmed. I had no idea who the dude was either, but I had heard of the gear and Motocross “group” he and some other like-minded individuals started, Metal Mulisha. Hell, I thought Metal Mulisha was a group for metalheads that listened to awesome music like Slayer, Exodus, Immortal, or Motorhead. I was so very wrong. Metal Mulisha was gear and apparel for Freestyle Motocross and they were the bad boys of the sport. They were the guys rebelling against the conformity of the sport of Motocross and taking it from racing around a track for speed and instead doing some badass tricks and wild shenanigans—all the while giving the mainstream section of Motocross a big fucking middle finger!

 

As the early history of Metal Mulisha and the beginning of extreme trick riding in Freestyle Motocross was told, through the use of tons of edited homemade video footage and professional clips accompanied by a solid hardcore punk soundtrack, I felt that this story was going to be a fun one to learn about. I also knew that, as with many young and successful sports “athletes”, a swift rise to fame and fortune can sometimes turn for the worst and this really was the case for Larry Linkogle and his camp. Some of the clips from interviews recorded he is calling riders with frost-tipped hairdos “faggots” and losers. The guy denounces the rednecks with mullets he claims make up a majority of Motocross riders (at the time of the statement and probably around the ‘90s) yet some of his hateful rhetoric and statements lead one to believe that at the time of the statements he was not much more open-minded or tolerant. Linkogle also seemed to focus more on having fun and partying then on practicing and riding his bike.

 

As the sport became larger and more mainstream (extreme Motocross, Free riding (riding all over natural terrain such as mountains and desert terrain), Linkogle again seemed to want to take the sport and turn it even more extreme and set it apart from the now glamorized that it became. It reminded me of when the sub-genre of Black Metal turned mainstream and everyone was throwing on corpse-paint and making some of the most atrocious “evil” noise they could think of recorded in ultra low-fi quality.

 

MIND OF THE DEMON does a nice job of mixing interviews and testimonials from fellow industry riders, friends, and family with a fun soundtrack and edited together nicely. None of the interviews are too lengthy to bore a viewer and the longer interviews are paired with cool footage. The documentary slowly shows the how one star in Motocross turns to alcohol, drug abuse, and dangerous habits and behavior to fuel his dangerous addictions. If anything, MIND OF THE DEMON makes a statement about the danger of doing drugs. Don’t do them unless you really want to see your life totally fucked up.

 

Larry Linkogle turned to crimes to feed their addiction. Guns came into play. The documentary, which I might mention is partially narrated by the great Lemmy Kilmister, frontman of the legendary metal band Motorhead, starts to turn towards an even darker side to this whole story. I honestly did not know if the outcome of this story was going to have a happy ending or not. It was like watching a really good fictitious film—except this story really happened.

 

The film, directed by Adam Barker, with testimonials and stories shared by Christian Fletcher, Trigger Gumm, Riki Rachtman, Jeremy McGrath, Travis Pastrana, and Duane Peters rolls along at a pretty good speed. I sometimes found some documentaries to drag on and bore me because there is a lack of edits, decent music, or riveting stories being told. The key to a good documentary is a variety of shots, footage, and music. Don’t do the same thing too long or for too many times. Keep things spicy and moving along, baby!

 

Suicidal Tendencies, Motorhead, Circle Jerks, Black Flagg and Boy Sets Fire were just some of the punk and metal bands featured on the film’s soundtrack. I really thought the killer soundtrack added to my satisfaction and enjoyment of the film. The track used to start off the film and the title credits was “After the Eulogy” by Boy Sets Fire, my all-time favorite song by them. At this point, I could not hate the film because it already had gotten some high marks just for starting off the movie with BSF!

I am reviewing a screener of this film, so I can’t say anything on the special features of the retail dvd, but here is what is offered on the disc:

-Short Horror film starring Larry Linkogle, “A Slaughter House, an Old Man and a Bloodthirsty Robot”

-Behind the Scenes: Making of the Score w/ Mike Clark (Suicidal Tendencies), Greg Hetson (Bad Relgion), Jason Hill (Louis XIV) and Mark Leone

-Riding Highlights and Slams of Larry Linkogle

 

In the end, I learned a great deal about the history of a sport I knew “jack” about. I also had a positive message driven into me, one that never gets old, and never will until every last human being on the planet stops abusing drugs and alcohol. When drug and alcohol addiction overtakes one life, it is a scary and deadly thing have happen to one and the story Larry Linkogle and his friends/peers share with viewers is one worth listening to. The film, from Shoreline Entertainment and distributed through Breaking Glass Pictures, was voted “Best International Documentary” at the Bel Air Film Festival and “Best Documentary” at Slamdance and deservedly so. Hunt down this movie.


DVD REVIEW: MORE BRAINS! A RETURN TO THE LIVING DEAD (2011)

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DVD REVIEW: MORE BRAINS! A RETURN TO THE LIVING DEAD (2011)

MORE BRAINS! A RETURN TO THE LIVING DEAD is the most exhaustive documentary, to this date, that I have seen on any particular movie to this day. The film is over 240 minutes long, filled with a plethora of extra features and featurettes. The documentary, narrated by Brian Peck (“Scuz” from ROTLD) and directed by Bill Phillput (KILL YOURSELF: THE MOVIE, HIS NAME WAS JASON: 30 YEARS OF FRIDAY THE 13TH, NEVER SLEEP AGAIN: THE ELM STREET LEGACY), is the only definitive, in-depth look at one of my favorite zombie films of all time. The film is considered a cult classic, taking the legacy of George A. Romero’s zombie films and giving them a large does of comedy injected into them, filled with plenty of gore, scares, and laughs. This documentary digs deep into the bowels of the film and the filmmaking process, which created one of the most memorable zombie films to this day.

 

The use of very atmospheric set pieces and backgrounds used during the interviews, set pieces and props from the film as well as cartoon animation and comic book-style fonts and artwork complementing the various segments gave the whole feature a very refreshing and fun look to the documentary. Some docs can get so dry and dull, filled with interview after interview and no break in the testimonies (such as PAURA: LUCIO FULCI REMEMBERED Vol. 1) and the viewer loses interest, no matter how interesting the subject matter is. A good documentary needs to have visuals and edits filled with clips or photos to illustrate further what the individual speaking is talking about…or else things get pretty dry pretty fast.

 

TARMAN

Thankfully, most of those involved on the film chose to be a part of the documentary, including Clu Gulager, Don Calfa, James Karen, Tony Gardner, Thom Matthews, Brian Peck, Dan O’Bannon, Miguel A. Nunez Jr., Linnea Quigley, Beverly Randolph, John A. Russo, and Jewel Shepard. For the most part, I think all the influential characters and crew were represented in the doc.

 

Since this documentary is on RETURN OF THE LIVING DEAD, already a very fun and fast-paced horror film it would only be fitting for it if the documentary also had some of the style and pace of its original subject matter. While some docs just have static shots, never deviating too much from the individual speaking but director Philputt has crafted a movie that is better intended for the short-attention span viewer, one that may be suffering from Attention Deficit Disorder. The use of piecing together the various answers to off-screen questions from various individuals and adding them all together to paint a vivid picture through various sources to answer the same question or describe the same event is genius. Just because I love a film does not mean I would like to be bored to death by every little detail and aspect of it in a documentary. Thankfully, Bill Philputt sees it that way, too.

 

This is not the first documentary Philputt has directed that I have seen. Upon looking up him in IMDB.com I was surprised to find that he directed, wrote, and produced the movie about the New York hardcore thrash band S.O.D. (Stormtroopers of Death), entitled KILL YOURSELF: THE MOVIE. I love the band S.O.D. (as well as M.O.D. fronted by Billy Milano as well as fellow-thrashers Anthrax) and the documentary followed S.O.D. around for a year while they toured, as well as filming all the antics and craziness that happened behind the screen. I can see from watching MORE BRAINS! that Philputt has a way with crafting a solid documentary that keeps things visually and aurally appealing through its use of sharply edited scenes and use of music.

 

Sadly director Dan O’Bannon died more than two years prior to this doc having been made and it was very memorable to hear the final interview that O’Bannon gave within the film. The movie also plays as sort of a memorial to the great writer, responsible for writing ALIEN, ALIENS, and TOTAL RECALL (to name just a few) and ROTLD is the first feature he directed- one of only two films.

 

Brian Peck did a wonderful job narrating the film and one can tell that the actor had so much fun and fond memories, filling the screen up with his exuberating personality. The film does an incredible job at going in-depth in regards to the off-screen questions being asked, describing specific situations in great detail. The film does not cut any corners. I enjoyed the manner in which MORE BRAINS! goes into the personal aspects of each player involved with making the movie, adding some spice and panache to the whole back-story of the film. For instance, I never knew that one of the actors was homeless when he earned the role, or that one of the actresses was discovered in a strip club dancing just before getting a role in the film.

the late DAN O'BANNON

Some of my favorite portions of the film were the lengthy discussions on one particular scene where actress Linnea Quigley performs her infamous stripping scene in which all involved discuss the full-frontal nudity in the film and the actors’ responses to that specific scene filmed in the movie. I, personally, have fond memories of that very scene and it seems many cast members did as well.

 

If over 2 hours of testimonies and insight into ROTLD with all of the actors, actresses, and filmmakers involved (those still living—R.I.P. Dan O’Bannon and Mark Venturini) isnt’ enough, then how about an additional 2 hours of extra features, including a look at the sequels to ROTLD, Parts 2 and 3, as well as the final interview with the late Dan O’Bannon, a return to the filming locations of ROTLD, and a music video by Stacie Q performing the hit song, “Tonight”, which was used in the film.

 

MORE BRAINS! is a documentary that does a great job at digging deep into the high-points and low-points during the filming process, including doing in-depth into how it came about that the original zombie make-up artist working on the film had to be fired. The documentary also serves as a nice study on what low-budget filmmakers working on a small budget (around a few million dollars) have to go through. Dan O’Bannon has worked in Hollywood writing screenplays but this is his first job directing a movie.

 

I highly recommend viewing this incredibly in-depth and interesting doc on one of the most influential zombie films ever created incorporating elements of comedy. Presented by Michael Perez Entertainment and Hutson Ranch Media, one can head over to the website www.getmorebrains.com for further info on the film, as well as viewing a trailer for it.

 


REVIEW: VICKTORY TO THE UNDERDOG (2009)

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VICKtory to the Underdog is a documentary about world-renowned tattoo artist Brandon Bond and his efforts to save and rehabilitate 3 of the pitbulls seized from the property of the Michael Vick estate. The documentary not only shows in great details and depth the amount of time and efforts that Bond and his wife went through while nurturing the dogs back to health (one of whom Bond’s friend took care of) but also explores other celebrities and individuals that also take time and effort to take action to help raise awareness and donate their time for dog rescues and shelters.

The documentary takes a bit of its 105 min. running time to tell the back story on Brandon Bond, just who exactly is he, and what he went through growing up and how he got to where he is today. Personally, I don’t know many specific tattoo artists (minus the one’s that have inked me) and I had no idea who the hell he was. Upon watching the punkrock/metalhead-styled doc, I began to get a sense that Bond pretty much built his tattoo business from the ground up by devoting many hours and sacrificing much of his social life to make ends meet and become a very successful tattoo artist. He now is a two-time international “Tattoo Artist of the Year“, as well as making this highly informative and entertaining documentary on pitbulls and how they have been stereotyped in the media and the news as being a vicious and harmful breed of canines.

(l to r) Brandon Bond, Donal Logue, Debbie Trejo, Danny Trejo

I, personally, have a few friends that own pitbulls and they are the most loyal and caring dogs I have ever met, but in being loyal they won’t let any harm come to their owners and I think because pitbulls are not pussies- people take that as meaning they will just go around attacking and mauling people at any given moment. For lovers of dogs, tattoos, and fans of horror films- this film is really amazing. The film follows tattoo artist and celebrity Pixie Acia from L.A. INK, legendary actor Danny Trejo (MACHETE, FROM DUSK ‘TIL DAWN, DESPERADO), horror icon Michael Berryman (THE HILLS HAVE EYES, ONE FLEW OVER THE CUCKOO’S NEST, WEIRD SCIENCE), and funny guy Donal Logue (BLADE, TV’s GROUNDED FOR LIFE) and explores how much they love dogs, pitbulls in general, and viewers get a chance to see some different sides of the celebrities and see them in their natural habitats. I had no idea Danny Trejo’s wife, Debbie, is such a devoted and, at times, insanely passionate fighter for pitbulls’ rights. She spends a great deal of time and resources visiting “Kill” Shelters (animal shelters that end up killing dogs, pitbulls specifically, if they are not adopted within a given period of time due to population control) and giving the dogs within dog treats and some love and affection. It is quite sad that there are shelters that kill dogs because there are too many of them and there is no one to care for them and take them in. Pitbulls have a bad rap and many that go to adopt a dog do not choose to take a pitbull, especially one that has been abused or used in dog-fighting because they feel the dog is violent and may turn on them.

Michael Berryman and Brandon Bond

The documentary really focuses on the cruelty and savagery that engaging and supporting illegal dog-fighting imposes on the rights of the animal. Specifically, the Michael Vick pitbulls that were confiscated by authorities when his dog-fighting ring was exposed and made national news and media. Bond, through his film, reinforces that theme that EVERYONE deserves a second chance, from the abused and once-aggressive pitbulls that are sitting alone in dog pounds waiting for someone to give them a home to even, Michael Vick, who after being incarcerated lost all his money, his stature, his contracts, and even his NFL team when he was locked up for 21 months in prison and two months under house arrest (a penalty that I personally feel was pretty light for the crime he committed). Vick and his actions are not the focus of the film, but instead, three of the dogs that Bond rescued are. The movie really sheds light on several individuals who hold celebrity status and adore dogs and specifically, pitbulls.

The quick pace and many different edited shots make for an enjoyable viewing, accompanied with some modern-edged rock and metal giving a “cool” look and feel to the film. If one had any misconceptions about pitbulls or dog shelters in general, this film may debunk those thoughts. Although not too heavily backed up by science and statistics about pitbulls and the rate at which dogs in “kill” shelters are euthanized, there was a segment with dog veterinarians when the film showed the ever-gorgeous Pixie donating her time at an unnamed clinic two-hours away from her home (so she can avoid the publicity and media), as well as a portion of the film where a dog trainer who runs a doggie “bootcamp” takes new (or old) dogs to be trained (or re-trained) to follow commands and listen better to their owners.

Pixie Acia and her buddies

Bond’s documentary is one to be loved by dog-owners and pitbull lovers everywhere, but also a decent viewing for those interested in the tattoo and rock’n'roll lifestyle of a rebel of sorts that finally found his calling in art through tattooing. The film serves more than purpose and agenda-it is a bio of sorts for acclaimed tattoo artist and owner of ALL OR NOTHING Tattoo Studio in Atlanta, GA. Myself, not a dog owner but a dog lover, I found that because the film did not only focus on the dog rescuing operation but also on Bond and his career and struggles, the film completes a total package for entertaining, educating, and creating awareness for the film’s primary focus and cause.

The film was directed by Brandon Bond, also starring Bond as well as the aforementioned celebrities, Bond’s wife, and a handful of his friends. At times, the film is just footage of Bond, his wife, and their dogs going for walks, driving to different shelters, and interviewing some Atlanta Falcons fans about what they think of Michael Vick (specifically those wearing Vick’s jersey). The message I got out of the film was that humans are for more hateful and inherently harmful creatures than most breeds of dogs will ever be as we have a conscious and an ability to think about what we are doing yet still tend or CHOOSE to make the wrong decision most times. Pitbulls, the way I see them, are loyal to their owners and just want to please them (even if it means tearing apart another dog owned by another person). The message was that these dogs’ usually are just reflections of their owners and if their owners are consistently training them to fight and kill on command, then that is what they are going to do. If the dog is given love and affection, then the dog will no longer feel the need to attack anyone or thing, and give that love and affection back.

I was recommended this film from a friend, Flip, who knew I had a great respect and fondness for actor Danny Trejo, as well as enjoying the work of Michael Berryman. Flip arranged for SHU-IZMZ to get a review copy sent to our headquarters but what I walked away with after watching this film was something far more greater than just seeing one of my favorite actors in a documentary about pitbulls—I learned a great deal about what happens to pitbulls (and other dogs) at “kill shelters” when no one adopts them and that breeding pitbulls is, in fact, harmful to the existence of the pitbulls already without a home and family. Breeding can cause overpopulation. I wanted to run out adopt a dog immediately after viewing VICKtory to the Underdog. The film also teaches viewers an even greater lesson: Everyone deserves a 2nd chance in life sometimes. Bond got a second chance. Bond’s wife was given a 2nd chance (she was a drug-addict and alcoholic). All these pitbulls deserve a second chance at having a life and Bond even told the camera that Michael Vick even deserves a second chance, although Bond feels Vick has lost the right to ever own and care for a dog again (I agree!).

VICKtory to the Underdog is a documentary that entertains, as well as educates. I recommend it for those that own dogs, love dogs, or are even fearful of pitbulls and dogs. I feel one will walk away with a little more love and compassion for the animals, as well as quite a bit more knowledge. After this film was made, all the proceeds were given to an animal shelter that houses pitbulls and also gives convicts on probation a job working with the dogs. Not only are the dogs being rehabilitated, but the convicts also are getting rehabilitated.

To get a copy of VICKtory to the Underdog, head over to STRANGLEHOLDMERCH.com to buy one,  as well as Brandonbond.com to learn about getting some killer ink and a bit more about his cool tattoo studio.

 


REVIEW: DRACULA: THE VAMPIRE AND THE VOIVODE (2011)

Dracula-The-Vampire-and-the-Voivode

Now that my favorite month of the year has finally arrived, I have decided to primarily focus on horror films and what can be more fitting than the subject of vampires and, specifically, Dracula, the most infamous bloodsucker of them all. I am not just talking about the fictitious figure in both literary and cinematic circles, I am referring to the man that gave birth to this character in the form of a novel—none other than the Irish author Bram Stoker.

The documentary, DRACULA: THE VAMPIRE AND THE VOIVODE goes to great length to examine and thoroughly explore the history of Bram Stoker and how he came up with the ideas, plot, setting, and what influenced Stoker to craft a tale of one of the most legendary characters in horror fiction to this day. After all, Dracula has never gone out of print and is only rivaled in copies printed by the Bible.  After all, Dracula was first printed in 1897 and has been published in 100′s of different languages.

Author Bram Stoker

The Dracula documentary goes into great depth and research talking with many experts on locations of various importance in Ireland, Transylvania, other parts of Romania, and England. The film is also produced in association with the Transylvanian Society of Dracula and features interviews with some of the leading international Dracula experts such as Elizabeth Miller, Dennis McIntyre of the Bram Stoker Society, Tina Rath of the Dracula Society, Harry Collet, and Nicolae Paduraru. The film not only gives viewers a timeline, including all or any influences that Stoker may have had or were believed to have had, but the movie also travels to key locations and gives viewers a little bit of history about each location, as well as the significance and importance in showing them.

Elizabeth Miller, author & President of the Canadian Chapter of the Transylvanian Society of Dracula

For this viewer, I felt as though I were really traveling to each location and had an expert on hand as a tour guide for the manner in which much of the documentary is delivered to viewers is as though one were on a guided tour with an expert on hand. At times, parts of the film were a bit dry because one individual was merely standing, walking, or sitting while recounting tales or facts concerning Stoker and his novel, without complementing the facts with some sort of visuals or background music but most of the time these accounts of facts had unique accompaniment.

Vlad III Dracula a.k.a. Vlad the Impaler

Sadly, this fan of horror has NEVER even read Bram Stoker’s Dracula, even though he has seen over twenty films covering the dark prince, but this documentary is portrayed in such a manner that one can not resist wanting to read the novel after learning so much about the man whom created it and all the many different influences he had. The film has so much knowledge held within that I think anyone watching the documentary will come away with learning at least a few new pieces of information that until this film came out they were not privy to.

The one portion of the documentary that I found most interesting was the many different geographical locations that were mentioned in the film, as well as many key spots or tourist attractions (some that are legit and others just made popular by misinformed fans and tourists searching for areas mentioned in the actual novel) which opened this fan of horror to a whole new world of vacation ideas.

The film attempts to separate fact from fiction surrounding much of the confusion between Count Dracula, the fictional vampire, and Vlad “Tepes (The Impaler)” Draculea III (1431-1476), the voivode, Old Slavonic, meaning “one who leads warriors.” I read a whole book on Dracula (In Search of Dracula by Radu Florescu and Raymond T. McNally) and Vlad the Impaler was one individual that was mentioned quite often and himself would make for a brutally delightful documentary since his story of royalty and violence during his six-year rule of Romania has been made famous to not only history buffs but to those interested in Dracula because others believe Vlad was partly responsible inspiration. The filmmakers even go so far as to say that a large amount of tourism for certain areas was due, in part, to the book In Search of Dracula and as a result some regions and cities have capitalized on this and sell numerous souvenirs related to Dracula and vampires. If individuals really did want to visit key locations in parts of Europe than this would be the documentary to view and take notes on. This film is as much for fans of literature as it is for fans of history and horror films. The film really transcends to all generations and ages and not to just fans of horror. I can easily sit and watch this with my grandmother as I can with a young boy or girl in their teens.

The movie was filmed, written, and directed by Michael Bayley Hughes whom I could not find as to having any entry in IMDb, nor could I find the film’s entry, but fear not, for there is a wonderful website draculadocumentary.com where one can learn more about the locations explored within the documentary, as well as purchase the film. The site is simplistic in nature, some links not offering much more to the film, but the links section of the website offers the whole book online to read for free, as well as info on Bram Stoker, Vlad the Impaler, notes by Bram Stoker, and a plethora of more information and knowledge supplementing the already vast amount of information the documentary already provided.

The movie was narrated superbly by Jason Walford Davies, complete with accent, and is presented in full frame with an aspect ration of 4×3 (1.33:1) and in 2.0 Stereo sound. The film runs to just about 84 minutes in duration and has a suggested retail price of just $19.99. The film is presented by Virgil Films and Walking Shadows and is a Teleg Films documentary.

Any purist or completest of vampire films and knowledge on Dracula must obtain this documentary as part of their collection to consider it complete. For fans of Gothic literature and a fan of literature, in general, will find this film about Bram Stoker and the lore of Dracula just as fascinating as any fan of classic horror films, both older and more current. DRACULA: THE VAMPIRE AND THE VOIVODE has to be one of the most interesting and fascinating documentaries that I have ever seen on Dracula and the history concerning one of the greatest novels of the horror genre. Now, please excuse me, for I am going to finally crack open my hardcover edition of Bram Stoker’s Dracula and film my mind with nightmarish visions of teeth sinking into my neck before I retire for the night.

 


REVIEW: CROPSEY (2010)

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Cropsey is the story of an urban myth that residents of Staten Island used to tell their kids when they were young to keep them from talking to strangers, influence them to come home before it gets dark, not stray away from the front yard while playing, and to deter them from going to abandoned areas, lots, buildings, and secluded forests. Sometimes, there is quite a bit of truth to a city, town’s, or villages’ urban legend. This urban legend was known as Cropsey, but in reality Cropsey was a name given to a monster that residents believe was kidnapping and murdering, raping, eating, mutilating their children. Cropsey, as the story goes, was an escaped mental patient from the Willowbrook State School who lived in the old, abandoned building. As the numbers of missing children rose, the residents started searching and going on a witch-hunt, so to speak, to find out who or what was responsible for their communities missing children. Cropsey came to be manifested in the form of a peculiar and creepy looking man by the name of Andre Rand, what one can call a real-life “boogeyman” of sorts. A Michael Meyers, minus a mask, that was going back to the grounds of the Willowbrook Mental Institution and kidnapping unsuspecting children, several of whom were developmentally disabled, or mentally retarded if one wants to be politically incorrect and extremely insensitive. Society is now replacing the term mentally retarded with the term developmentally disabled as this term is less demeaning and negative.

a real-life "Cropsey", or so they say...

All the tales of Cropsey began to manifest into something very real and terrifying in 1987 when 12-year old Jennifer Schweiger disappeared. The filmmakers of Cropsey grew up in Staten Island, remembering the tales when they were young, but as teenagers the urban legends and warnings from their parents really began to materialize into something real. The filmmakers, Barbara Brancaccio and Joshua Zeman, did not know each other as children, but both return to their hometown as adults as the unsolved disappearances of Schweiger, as well as three other missing children-Holly Anne Hughes, Tiahese Jackson, Alice Pereira, and Holly Ann Hughes- to revisit the case through interviews with authorities involved with the case, speaking with residents of Staten Island, location shooting with individuals of the original search parties in the areas surrounding the abandoned mental hospital, as well as dense forests that would make prime dumping grounds of corpses.

a more recent picture of Andre Rand...or Cropsey

The documentary moves at a swift pace, nicely edited with news footage aired during the kidnappings that included archived interviews, present day interviews with individuals related to the victims as well as those still living in the community now, and letters and correspondence with Rand through letters. The filmmakers definitely did an exhaustive amount of research and paint a very vivid and bleak picture of a community strife over the unanswered questions and unsolved kidnappings (possibly even murders) of 5 children from Staten Island.

Directors Barbara Bracaccio and Joshua Zeman

The soundtrack to the documentary, composed by Alex Lasarenko, is excellent, providing viewers with a musical accompaniment in eerie fashion while using a very subtle use of notes and arrangements that added elements to the creep factor that the whole film possesses as its underlying theme. Lasarenko is known for Hedwig and the Angry Inch (2001) and The Business of Strangers (2001).

At times, I wonder whether this community just painted Andre Rand into a monster because he was a loner, mysterious, odd looking, very creepy, and happened to be living in his van on the grounds of the abandoned mental hospital and at one time, was an employee at the establishment and there was no one else around that fit his description, weird habits, etc..but as I watched more this guy Rand, who changed his name in ’66-’68 to Bruchette from his birth name Rashan while working at New York’s Willowbrook State School as a physical therapist aide, and then changed his name again legally to Rand in ’72 after he got out of prison for attempting to kidnap and rape a 9-year old girl in the South Bronx, pleading guilty to a lesser charge of sexual abuse. The documentary starts off focusing on the urban legend of Cropsey, which may be a name and myth used for many other areas around New York, as well as other parts of the state. Every area has its own “boogeyman” and legend surrounding it. I remember kids talking about certain houses or areas I grew up in that were nothing more than horse shit stories used to scare me and my friends, but after watching this documentary, it seems that maybe the urban legend came first and the actual events and murders just happened to coincide what most adults’ worst nightmares really were: losing their loved ones to a homicidal maniac.

A witness, Martha Hinton, had to say this about Andre Rand.

You don’t wanna meet him. He was a creep”

Filmmakers: WHY?

Hinton:”Because he looked like he was a killer.”

I think the parts of the film that were the most scary and sickening were when talking with the cops the detectives hinted at other mentally ill individuals that may have been living in the abandoned mental health facility were “minions” of Rand and that he was using them to rape, sodomize, torture, and molest the young victims that he allegedly kidnapped. Some of the footage lets one’s imagination run wild, sort of like when watching one of those shows on paranormal activity and ghost hunting. I think this works in favor of the filmmakers and was used effectively. Whether Andre Rand did or did not kidnap and kill these children, as their is no scientific or physical evidence of him doing so and only circumstantial evidence, the film is a solid viewing and quite intense at times. True Crime has always been a topic of interest for me, from serial killers to mass murders and killing sprees, and Cropsey contains all the elements of pretty solid investigation backed up by compelling footage, testimonies, and interviews. If I hadn’t researched the background of the material before writing this review, I almost would have thought it was a fictional account as many of the details seem to be too “good” to be true and perfect source material for a compelling horror movie. Sadly, the fact that children went missing, to this day never to be found, is both sad and frightening. Even more frightening is the fact that since Rand had been locked up, no more children in Staten Island have gone missing.

Directors Joshua Zeman and Barbara Brancaccio made a very intriguing and well-informed documentary whose narrative was both compelling and engrossing. There were no dry or stale moments and scenes that went on too long, or got boring at any point. I thank the filmmakers for this. I also appreciate that there was no recycling of the information presented, as some documentaries do. One of my favorite programs on The History Channel, Gangland, is notorious for doing it. After watching a marathon of episodes, it gets redundant and extremely noticeable. I detest filling up a documentaries running time by presenting the same information and facts in a myriad of different styles and versions.

Joshua Zeman has produced a handful of other larger budgeted films, including being ex-producer of The Station Agent (2003) and co-producer on Gregg Araki’s Mysterious Skin (2004). Zeman also was responsible for the writing in Cropsey as well. This marks Brancaccio’s first foray into filmmaking. Extras on the disc include thirty minutes of Never-Before-Seen Material as well as exclusive press clips. The film was released on the Vicious Circle Films label of Breaking Glass Pictures and is presented in a 16:9 Anamorphic wide-screen, Dolby Digital 2.0 Stereo, and is Unrated.


TRAILER OF THE WEEK: FORKS OVER KNIVES (2011)

An animation showing the working of a typical heart attack

My good friend Natalie Slater of Bake and Destroy has gone on a personal campaign to turn others onto a film that has deeply influenced her, and one that should be deeply influencing everyone because it deals with mankind’s well-being. No one wants to die an early death (at least I don’t) and everyone generally wants to live a comfortable life and not be in pain on a daily basis. I think this movie, just judging by the short trailer, will be an eye-opener to a lot of people. I almost dread watching it when I think of all the junk and bad food I eat on a daily basis. My diet will end up catching up with me at one point or another. Please check out the trailer and go see the film if it is playing anywhere near you.

UFC Fighter Champion Mac Danzig (awesome last name) training for an upcoming fight


ATLANTA, GA (Begins May 20)
Midtown Art Cinema (Landmark), 931 Monroe Drive, Atlanta, GA 30308

AUSTIN, TX (Begins May 13)
Arbor Cinema (Regal), 9828 Great Hills Trail, Austin, TX 78759
BUY TICKETS

BOSTON, MA (Begins May 13)
Kendall Square Cinema (Landmark), 1 Kendall Square, Cambridge, MA 02139
BUY TICKETS (Note: Select show date on or after May 13)

CHICAGO, IL (Begins May 13)
Webster Place 11 (Regal), 1471 W. Webster Ave., Chicago, IL 60614
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Century Theaters (Cinemark), 1715 Maple Ave., Evanston, IL 60201
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CLEVELAND, OH (Begins May 27)
Cedar Lee Theater, 2163 Lee Road, Cleveland Heights, OH 44118

DALLAS, TX (Begins May 13)
The Magnolia (Landmark), 3699 McKinney Ave., Dallas, TX 75204
BUY TICKETS (Note: Select show date on or after May 13)

DENVER, CO (Begins May 20)
Chez Artiste (Landmark), 2800 South Colorado Blvd., Denver, CO 80222

DETROIT, MI (Begins May 20)
Main Art Theater (Landmark), 118 N. Main St., Royal Oak, MI 48067

FORT LAUDERDALE, FL (Begins May 13)
Sunrise Cinema at Sunrise 11, 4321 Northwest 88th Avenue, Sunrise, FL 33351
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HOUSTON, TX (Begins May 13)
Edwards Greenway Palace 24 (Regal), 3839 Weslayan, Houston, TX 77027
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KANSAS CITY, MO (Begins June 3)
Tivoli Theater, 4050 Pennsylvania Avenue, Kansas City, MO 64111

LOS ANGELES, CA including Pasadena & Orange County (Begins May 6)
Sunset 5 (Laemmle), 8000 Sunset Blvd., West Hollywood, CA 90046
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Regent (Landmark), 1045 Broxton Avenue, Los Angeles, CA 90024
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Monica 4 (Laemmle), 1332 2nd Street, Santa Monica, CA 90401
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Playhouse 7 (Laemmle), 673 E. Colorado Blvd., Pasadena, CA 91101
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Edwards University Town Center 6 (Regal), 4245 Campus Drive, Irvine, CA 92612
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MIAMI BEACH, FL (Begins May 13)
South Beach Cinema 18 (Regal), 1120 Lincoln Rd., Miami Beach, FL 33139
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MINNEAPOLIS, MN (Begins May 20)Premiere (May 18)
Lagoon Cinema (Landmark), 1320 Lagoon Ave., Minneapolis, MN 55408

NEW YORK, NY (Begins May 6)
Sunshine Cinema (Landmark), 143 East Houston Street, New York, NY 10002
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PHILADELPHIA, PA (Begins May 20)Premiere (May 19)
Ritz at the Bourse (Landmark), 400 Ranstead Street. Philadelphia, PA 19106

Ritz Center, 900 Haddonfield-Berlin Road, Voorhees, NJ 08043

PHOENIX, AZ (Begins May 13)
Camelview 5, 7001 E. Highland Ave., Scottsdale, AZ  85251
BUY TICKETS (Note: Select show date on or after May 16)

SAN DIEGO, CA (Begins May 20)Premiere (May 16)
Hillcrest Cinemas (Landmark), 3965 5th Avenue, San Diego, CA 92103

SAN FRANCISCO, CA including Marin County & Pleasant Hill (Begins May 13 & 20)
Bridge (Landmark), 3010 Geary Blvd. at Blake, San Francisco, CA 94118 (Beg. May 13)
BUY TICKETS (Note: Select show date on or after May 13)

Shattuck Cinemas (Landmark), 2230 Shattuck Ave., Berkeley, CA 94704 (Beg. May 13)
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Regency 6 (Cinemark), 280 Smith Ranch Rd, San Rafael, CA 94903 (Beg. May 20)

Cinearts @ Pleasant Hill (Cinemark), 2314 Monument, Pleasant Hill, CA 94523 (May 20)

SAN JOSE, CA (Postponed – Stay tuned for updates)
Santana Row (Cinemark), 3088 Olsen Drive, San Jose, CA 95128

SANTA ROSA, CA (Begins May 27)
Summerfield Cinemas, 551 Summerfield Road, Santa Rosa, CA 95405

SEATTLE, WA (Begins May 13)
Varsity Theater (Landmark), 4329 University Way, N.E., Seattle, WA 98104
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ST. LOUIS, MO (Begins May 27)
Plaza Frontenac Cinema (Landmark), 210 Plaza Frontenac, St. Louis, MO 63131

TORONTO, ON (Begins May 20)
Cumberland 4 (Alliance Cinemas), 159 Cumberland Street, Toronto, ON, Canada

VANCOUVER, BC (Begins May 20)
International Village Cinemas, 88 West Pender, Vancouver, BC, Canada

WASHINGTON DC (Begins May 13)Premiere (May 11)
E Street Cinema (Landmark), 555 11th St NW. Washington, DC 20004
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Shirlington 7 (AMC), 2772 South Randolph St., Arlington, VA 22206
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TRAILER: Breaking Glass Pictures’ CROPSEY

February 24, 2011 – Philadelphia, PA - Breaking Glass Pictures has announced the May 10 DVD release of Joshua Zeman and Barbara Brancaccio’s documentary “Cropsey,” which tells the real-life horror story of convicted child murderer Andre Rand.  The critically-acclaimed film, which has played at major film festivals and is in the midst of a nationwide screening tour, will be released under Breaking Glass’ Vicious Circle Films label.

Special features for the “Cropsey” DVD will include 10 deleted scenes – which include an explanation of the origins of the Cropsey legend, mistakes made during the investigation of Rand, and chilling additional scenes of the filmmakers searching the Willowbrook grounds for evidence – and press clippings.

Cropsey was a film I first heard about (of all places) at the bar I work at in Chicago quite a bit ago (The film is listed in IMDB as having came out in ’09). The bartender, who also happens to have a love for the macabre and all things horror-related that spans from serial killers, strange deaths, gore films, to porn, corpses, and overall sick and twisted shit. She told me about this movie and I have been waiting for it to finally get some distribution and it looks like the guys over at Breaking Glass Pictures get to distribute it. I am glad that they are distributing it because I get tons of screeners from them and they are an awesome company that puts out some quality product. Here is the synopsis and trailer for Cropsey:
Synopsis (courtesy BGP):

Growing up on Staten Island, filmmakers Joshua Zeman and Barbara Brancaccio had often heard the legend of Cropsey. For the kids in their neighborhood, Cropsey was the escaped mental patient who lived in the old, abandoned Willowbrook Mental Institution and would come out at night to snatch children off the streets. Later, as teenagers, the filmmakers assumed Cropsey was just an urban legend: a cautionary tale used to keep them out of those abandoned buildings. That all changed in the summer of 1987 when 12-year-old Jennifer Schweiger disappeared from their community.

Now as adults Joshua and Barbara have returned to Staten Island to create “Cropsey,” a feature documentary that delves into the mystery behind Jennifer and four additional missing children. The film also investigates Andre Rand, the real-life boogeyman linked to their disappearances. Embarking on a mysterious journey into the underbelly of their forgotten borough, these filmmakers uncover a reality that is more terrifying than any urban legend.

Release: May 2011


Oscars hype, Banksy, and a very cool documentary…

Now, I personally am kind of a geek when it comes to movies (really guys? YEAH!) and the Oscars are coming up this Sunday, the 27th of February, and although I love independent film and nasty horror, cult, exploitation, and sexy porn titty flicks- I really can’t wait to see the 83rd Annual Academy Awards. Yeah, I suck. Now, there are a few reasons that I really am getting a raging hard-on over this year’s Oscars…but it mostly not really because of most of the films themselves, it is because I am very curious to see James Franco and Anne Hathaway host the awards ceremony, primarily because they are pretty damn young and I think it will be hilarious if they start messing up and get goofy. Both Franco (32 years old) and Hathaway (28 years old) are younger than me. I think of it sort of like if the cast of Jersey Shore were to host the Oscars, mainly Snooki and “The Situation“. Is that a great comparison- not really. I do think that if they were to host it there would sure be a lot of viewers in the 12 yr. old to 28 yr. old range…right?

So, we got some young blood hosting the Oscars. Franco is being nominated for 127 Hours and has a bit more “street credit” than Hathaway, in my mind. He did a great job in Spiderman. He made me laugh out-loud in Pineapple Express. Sadly, I have not seen 127 Hours but I think that is just because I am not that into “cave movies”. I mean, The Descent was good stuff, but after seeing The Cave, I am just tired of them. Yeah, it only took me 2 movies. I guess The Goonies is the other “cave film” that I can really think of off-hand…I am not counting Sanctum because I have not seen it. Sanctum is Australian and James Cameron is attached with it so the budget may be pretty big, but I am still not very interested to see it. Really, are there tons of “cave movies” I am forgetting or are there really not many made. I am talking about movies that more than half of the film takes place in a cave. I guess I could mention some flicks like Quest for Fire that have cave scenes in them or some cannibal films or even a few cave scenes in The Ruins and Turistas (which are underwater)…but wait-127 Hours has NOTHING to do with a cave. It is about a rock-climber that gets trapped under a boulder…So, why the hell did I just waste time on thinking of “cave movies”??!?! I have no idea. I guess caves, boulders, and rocks are all from the same family of things that are hard. No, I am not talking about some nasty porno- just things of the geologic nature. Oh, and speaking of geology, the huge monster made of rock in The NeverEnding Story, more commonly known as the Rock Biter or Pyornkrachzark, can be thrown into the mix as well.

Rock Biter from The NeverEnding Story

I guess I should really mention the main reason for watching the Oscars: Banksy. Now, the elusive graffiti artist probably will not be making an appearance because if he did he would have to be masked so his identity would not be revealed and, more importantly, the authorities probably want to nab him for a large amount of acts of vandalism on private property. Vandalism that some consider artwork and others consider fine art. Some of his shit is going for half a million dollars! That is pretty awesome. If his identity were to be revealed, I am sure the prices for everything would start dropping and it would be extremely hard for him to continue doing more artwork all over the cities he visits.

So, what will happen at the Oscars? I don’t really know, but aside from some movies that I thought were mildly interesting, there may be some creativity in how the producers wish to proceed. I hear that there will be a history of the Academy Awards going on with computer visuals and things of that nature. That sounds interesting, especially for a major movie buff like myself. After all, Hollywood is full of remakes and reinterpretations right now, but it also is putting out some cool shit. I actually dug The Social Network, even though as far as films David Fincher has directed, it probably is one of his weaker films, but I may change my mind after repeated viewings over time. It definitely has appeal because of the world’s obsession with Facebook and, well, social networking. If you are reading this online, my bet is that you have a Facebook account, just like me. I am addicted to Facebook just like millions of other users. In fact, I have Facebook open on another tab as I am writing this post on SHU-IZMZ this very moment.

So, back to Banksy. Exit Through the Gift Shop is one of the most interesting and compelling documentaries that I have ever seen on grafitti. I have only really seen a couple of them (Graffiti Verite, Style Wars, and Wild Style) and even those I saw really didn’t go with the artist as he/she went into the night throwing pieces up in some of the most peculiar and random places. Also, Mr. Brainwash is probably one of the most interesting idiots full of himself to ever grace the screen of a documentary. The dude, Thierry Guetta, is a major ‘tard. That is all I have to say on that.


Thierry Guetta

In hindsight, I have no idea why I really even wrote this post. I guess the main reason is to inform readers that I am watching the Oscars this Sunday and anyone that wants to watch them with me, just call me up on my cell. If you have a HD tv with a high-def cable package, it sure beats the hell out of my lo-def tv set up that I currently have. Getting a high-def tv is next on my list of things to acquire. So, in summation, I am watching the Oscars because it is being hosted by children, may have a graffiti artist in a mask show up, and I really don’t have anything else to do Sunday night but watch some television and see who wins what.

Here is a link to all of the Oscar nominations:

http://oscar.go.com/

Check out the trailer for Exit Through the Gift Shop below:


Breaking Glass Pictures releasing American Jihadist on dvd

Breaking Glass Pictures has announced the April 5 DVD release of director Mark Claywell’s documentary “American Jihadist.” The SlamdanceBest Doc” winner follows American-born Muslim militant Isa Abdullah Ali and his life story. The documentary has played at over a dozen film festivals and won Best Documentary at last year’s Slamdance. Isa Abdullah Ali is an American soldier, a family man, and a Jihadist. Calling one all three of those things seems to me to be a colossal contradiction and I am sure that will be one thing looked at and probably discussed during the course of the film. Ever since 9/11, I have been personally interested in learning more about those individuals whose faith and religion is hell-bent on destroying my place of birth, the beloved United States. Well, at times there are injustices and key elements that even I may disagree or find to be wrong, but having some democracy in one’s nation is a wonderful thing.

I am very interested to get a hold of this film and see what it’s all about. Aside from gory horror films, I am a total geek for a well-made documentary. At times, I almost prefer to watch documentaries over horror films. The sole reason is that I love to learn about new ideas, values, customs, and regions. Documentaries serve as a breeding ground for knowledge and are excellent learning tools for those that do not like reading books. They make learning that much more fun and video footage always can tell so much more in a far quicker span of time than reading a few pages of a book can. I love reading too, but sometimes I want a quick stimulating story told in about two or three hours than I want to read a thick, lengthy book that may take well over a day or two to read if read straight through. That is my personal mantra on why documentaries rule!

The following is the documentary’s synopsis courtesy of Breaking Glass Pictures:

American soldier. Family man. Jihadist. Isa Abdullah Ali is a person of many identities and contradictions, but in the beginning, he was a bullied young boy growing up in America’s capital. At fifteen he joined the American army, and as a young man he converted to Islam and fought alongside the Amal militia and Hezbollah in Lebanon. Though the details of his past are murky, Isa claims to have killed more than 150 people in the fight to defend his faith.

Through Isa’s own words and those of family members, psychologists and political experts, this award-winning documentary attempts to decode the social and personal influences that can lead an individual down a path to radicalism. American Jihadist reaches beyond easy labels to grasp the nuances behind one man’s decision to fight — and kill — for his religion.
The DVD will also include behind-the-scenes featurettes.

Check out the trailer here:

Source: Breaking Glass Pictures


Third Reich 3D films found?!?!?!

Swastika Flag

Variety is reporting that films shot on 3D in pre-war Nazi Germany have been found in Berlin’s Federal Archives. Phillipe Mora, whom I had the pleasure to interview back in July of 2009 for another website I was writing for at the time, is in the process of making a new documentary with the working title of “How the Third Reich Was Recorded“. While in Germany prepping his new film, Mora uncovered two 30-minute black and white propaganda films from 1936. Researching and making a film on the Nazi’s is no new thing for the French director who now resides in Australia. Phillipe Mora (The Howling 2, Mad Dog Morgan, Communion) made a groundbreaking film entitled “Swastika” in 1973, which contained unseen color footage of Adolf Hitler’s 16mm home movies, some of the footage containing his mistress, Eva Braun, at the Berghof mountain retreat at Obersalzberg in the Bavarian Alps.

With this new 3D film discovery, it appears that the Nazis were well-ahead of Hollywood with 3D technology by decades. The 3D medium was first popularized by Hollywood in the 1950′s and currently is having one hell of a major renaissance in theaters nationwide and internationally. It seems one can’t find movie openings without having at least one or two of those films opening in 3D.

Mora was quoted by Variety as saying, “The films are shot on 35mm-apparently with a prism in front of two lenses.”

French-born Australian filmmaker Phillipe Mora

Right now, Variety reports that Mora is at the Berlinale for his planned $13 million 3D biopic on surrealist Salvador Dali, starring Alan Cumming and Judy Davis, that plans to be filmed in Germany, Australia, and Spain. The film is in pre-production right now with a slated 2012 release according to IMDB.

Mora goes on to say, “They were made by an independent studio for Goebbels’ propaganda ministry and referred to as ‘raum film’- which may be why no one ever realized since that they were 3D.”

The German films found were entitled “So Real You Can Touch It” which is footage of a sizzling bratwurst (oh boy, the Nazis are sure making good use of their 3D technology, right?) and “Six Girls Roll Into Weekend” which is thought to be UFA studio starlets partying it up.

Mora believes there is probably more 3D footage somewhere out there, just waiting to be discovered. I have to agree with him. As time goes on, more and more new things concerning the Nazis, whether it be new information or buried treasures once thought forever lost and forgotten, seems to just pop up every now and then. I think that as awful as World War II was, the mystique and horror that the Nazis were during that period never fails to fascinate history buffs, film historians, and avid researchers and intellectuals on the topic of Hitler and the Nazis.

Mora goes on to tell Variety that, “The quality of the film is fantastic. The Nazis were obsessed with recording everything and every single image was controlled-it was all how they gained control of the country and its people.”

That last comment Mora states about how the Nazis were obsessed with recording everything just reminded me of Harrison Ford portraying Indiana Jones in Raiders of the Lost Ark in the one particular scene in which the Nazis have set up all their film cameras to capture the unveiling of the ark. Spielberg did his research for the film, apparently.

Mora goes on to tell Variety that he plans to incorporate the 3D footage in his upcoming documentary “How the Third Reich Was Recorded” (working title).

Mora made a documentary in 2011, entitled German Sons, which readers may want to check out as well while you’re waiting for the his two aforementioned films to be completed. Here is the synopsis for that film:

Mora is the son of a German Jewish man who joined the French Resistance. Grosskopf is the son of a Nazi Party member who joined the Wehrmacht. They become good friends and reconcile their opposite family histories.

I am very anxious to see Mora’s completed film and want to get my hands on “Swastika”, as well.

Source: VARIETY


Black Metal documentary Until The Light Takes Us arrives to cable/VOD

Until The Light Takes Us

Until The Light Takes Us

The Black Metal documentary exploring several key players from the dark musical genre, as well as the ideology, some of the history, and more importantly-the visual aesthetics that are generally associated with the often misunderstood genre of metal, is finally available on cable and video-on-demand through certain networks and cable providers. Until The Light Takes Us has been out on dvd and blu-ray disc for some time now, but up until this point, has not been accessible via any cable stations, in North America or anywhere else.

We first covered the Chicago Premiere of the indie documentary exploring the infamous series of arson, church burnings, and murders associated with the originators of the musical subgenre (in some instances referring to Black Metal as “music” may be stretching the term a wee bit and almost insulting to the genre itself) when it was screened at the Gene Siskel Film Center in downtown Chicago. After talking to the directors, Aaron Aites and Audrey Ewell, I felt this was a film that needed to be seen by all those who loved metal and knew little about the history of Black Metal. The feelings for this documentary were ones that if the uninformed on Black Metal were to watch this film, they would come out from the theater having a bit more of an understanding on what effect society and foreign cultures can have on the youth in an ever-changing world that is harsh, cruel, and very unforgiving at times. Black Metal was, and is, more than just a style or “brand” of music. Black Metal, for the individuals explored within this documentary, was a way of life that was more than just style, dress, ideology, anti-religion, or anti-consumerism/anti-commericalism and anti-establishment. Black Metal was as much a harsh natural habitat to harbor and harness a serenity within  as it was a furious and burning distinct style and sound to release aggression, pain, hatred, and sorrow. Black Metal meant so many different things to so many individuals. To this day, this writer still believes Black Metal to be one of the most powerful and reckoning forces to have been metamorphosized amongst the many different genres of metal. Check your cable Movies on Demand listings in America and Canada. Verizon FiOS will start Feb 11th and the rest of the carriers already are up.

For those of you yet to pick up the DVD/Blu-Ray disc, here are the following cable companies/VOD networks the documentary will be available on:

1. Charter

2. Verizon FiOS

3. AT&T U-Verse

4. Rogers (Canada)

5. Mediacom

6. Eastlink Communications

7. Wave

8. Blue Ridge

9. Access Communication (CCSA)

10. Source Cable (CCSA)

11. NorthwsTel Cable (CCSA)

12. Bluewater (CCSA)

13. Seaside (CCSA)

14. KPU

15. Cable Cable (CCSA)

The film is available via Netflix as well. If one does not like how some Black Metal bands sound, worry not for the soundtrack to UTLTU is mostly ambient and electronic music, one very unique aspect to this very unique and ground-breaking film on the musical subgenre. Here is the link on SHU-IZMZ to my review when the movie first came out three years ago. A trailer link to the film has been posted below as well as the movie’s official website.

http://www.blackmetalmovie.com/


Lemmy Kilmister comes to the Music Box Theater in Chicago!

Chazz: Who’d win in a wrestling match, Lemmy or God?
Chris Moore: Lemmy.
[Rex imitates a game show buzzer]
Chris Moore: … God?
Rex: Wrong, dickhead, trick question. Lemmy *IS* God.

Lemmy Kilmeister

In my mind, the most memorable scene from Michael Lehmann’s 1994 comedy AIRHEADS. Brendan Fraser, as Chazz, has taken over a local radio station with his headbanging buddies, Rex (Steve Buscemi) and Pip (Adam Sandler) with fake guns, the authorities try to sneak in one of their, Chris Moore (Harold Ramis), in a scene that shows metalheads around the world and pop culture just how iconic Lemmy Kilmister of the legendary metal band Motorhead truly is.

Throughout the nation, a film has been touring the nation, entitled “Lemmy: 49% Motherfucker, 51% Son Of A Bitch” (Damage Case Films/MegaForce) and has already hit New York City, Austin, Seattle, Portland, OR and Atlanta. It was great news to find out that this week on Thurs, Feb. 10th Lemmy will be coming to the Music Box Theater (3373 N. Southport Ave., Chicago) for a 9:45 p.m. showing. I truly hope to make this screening and see whom I consider to be the most powerful and memorable personalities in metal.

The film, directed by Greg Olliver and Wes Orshoski, explores the career and life of one of heavy metal’s largest pioneers and cultural icons in music today. Lemmy is the blood and guts of the band Motorhead, responsible for spewing out such classic hits such as “Ace of Spades“, “(We Are) The Road Crew“, “Iron Fist“, and “Bomber“. Some of the many other musicians featured in the documentary include Alice Cooper, Dave Ellefson, Lars Frederiksen, David Grohl, and Scott Ian.

Click HERE to find out more about Lemmy: 49% Motherfucker, 51% Son of a Bitch.


ALL HAIL S-A-T-A-N!!!

Satan, you ask? Yes, since Satan, the “most misunderstood characters in the Bible or in Christian religion…” as spoke by Glenn Danzig in the first Danzig home video (which if you have not seen it run out and grab it or you can just click here to here his thoughts on Satan!) while he is sitting in a park on the steps of a very Gothic and evil looking statue. I also am pissed off that both of the Danzig home videos have not been offered on DVD or Blu-Ray?!?! What the fuck!

Sam Dunn (l) and Scott McFayden (r)

 So Sam Dunn and Scott McFayden, the two Canadian filmmakers who started out with the extremely epic documentary chronicling the history of metal and all its different genres in Metal: A Headbanger’s Journey (2005), then followed up on metal around the world with Global Metal (2008), went on to document a tour with one of the greatest metal bands ever to grace our planet in Iron Maiden: Flight 666 (2009), and followed up that epic tour with an in-depth look at one of the Canadian director’s very own native rock groups and one of the most influential bands ever with Rush: Beyond the Lighted Stage (2010). The last documentary was even nominated for some Grammys: Rush was nominated for Best Long Form Music Video; Sam Dunn and Scott McFayden were nominated for Best Video Director/Video Producer. Everything Sam Dunn and Scott McFayden have worked on has been turned to gold as far as those in the metal community are concerned. I believe Sam’s background in school and majoring in Anthropology has helped him immensely in digging up facts and documenting the backgrounds of his various topics and sources for his extremely well-researched documentaries.

Metal: A Headbanger’s Journey

In my mind, the dynamic duo of Dunn and McFayden have made the best documentaries on metal that this metalhead has seen in quite some time. Dunna and McFayden’s approach to their documentaries goes the academic route, not just having baseless interviews with various band members who usually sound like they are drunk, high, or just exhausted from having just performed or in no mood to talk to another journalist that usually is a massive fan whom during the interview just strokes their ego and asking softball questions but actually digging deeper into the music and lyrics. I appreciate Dunn treating the subject of metal as a scholar would while talking about Shakespeare or or Voltaire. Dunn and McFayden’s reverence towards the subject matter is what metalheads and even novices to the genre of metal can and do appreciate. One may never have heard of bands like Mayhem, Enslaved, or even (gulps) Iron Maiden, but after watching one of the duo’s documentaries definitely will know as much as or even more than quite a few fans of the genre and may just appreciate the bands for their accomplishments (even if the music is unappreciated because of their tastes).

Rush: Beyond the Lighted Stage

I have been a fan of metal and all its genres from an early age by seeing all the elaborate artwork and elements of horror and darkness so many bands conveyed and portrayed in their videos, album artwork, and lyrical content. I love horror and the macabre and metal touched upon those subjects time and time again, one of the biggest topics of metal with the “darker” and heavier bands being the topic of Satan. Metal got a very bad rap in the ’80s with the “Satanic Panic” and it was a time when the PMRC, Christians, and religious groups all over the country banded together in an attempt to crucify heavy metal. 

Global Metal

How fitting is it now for Dunn and McFayden to choose as the subject-matter for their latest documentary, coming out in 2013 from Alliance Films, Satan (2013), as well as hosting the TV series Metal Evolution: The Series for VH1 and CTV. I read about this news a while back in Hollywood Reporter (who broke the news in January, but we just never got around to posting something on it here). Metal Evolution: The Series hits VH1 Classics in the spring of 2011. The 11-part one hour series will expand even more upon the already expansive Metal: A Headbanger’s Journey

It seems that the great success with Dunn and McFayden’s docs, as well as the new series on VH1 has prompted interest by rock legends Alice Cooper and Aerosmith to have Dunn and McFayden give their rock careers the ultimate treatment as well. The documentary on Satan “aims to explore the historical origins and transformation of Satan as a symbol of evil, and his significance in contemporary art and popular culture.”

Iron Maiden: Flight 666

I really cannot wait to see who Dunn and McFayden interview in the documentary, but I really hope that Gaahl makes another appearance, especially since his “outing” from the band Gorgoroth (a band that was/is extremely Satanic) and because he is always so much fun to listen to. He really made Metal: A Headbanger’s Journey extremely interesting. I would also love to see the legendary Count Grishnackt a.k.a. Varg Virkenes of Burzum have a word or two to say, since his having been released from prison his latest album is extremely dark and was very well done. I also am looking forward to Burzum’s latest album release, Fallen.


FREE H.P. LOVECRAFT documentary?

Watch a free documentary on the great H.P. Lovecraft! Just click on this link and enjoy:
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Until The Light Takes Us coming to DVD/Blu-Ray!

 We are pleased to announce the North American DVD release of Until The Light Takes Us. We have three versions: a single disc standard DVD and a limited 2 disc DVD (also available as blu-ray) that has every available second full of special features, deleted scenes, outtakes, a class on the history of metal with Fenriz, interviews with Enslaved, Nocturno Culto, Necrobutcher and more, and expanded interviews with Garm, Immortal, Varg, Fenriz and Hellhammer.

This is available in Zone 1 (America and Canada) and Zone 4 (Mexico) with Spanish and French subtitles. Factory 25 is now taking pre-orders (at a nice discount): http://www.factorytwentyfive.com/until-the-light-takes-us/

Please help us spread the word. We have flyers for the dvd release that can be emailed to anyone who can print them. If you are already on our street teams, or if you would like to join, this is the time to do it! Let us know if you can flyer and we’ll email them out to you. Please don’t reply here, but email us at info@blackmetalmovie.com and let us know that you want flyers. Thank you!

Order the DVD today! http://www.factorytwentyfive.com/until-the-light-takes-us/

Italian Premiere:
Sunday 4th July at 9PM in Umbertide (PG) Rockin’ Umbria Festival
http://www.rockinumbria.it/storia/

German Premiere:
Rapid Eye Movies is distributing the film in German-speaking territory. The German theatrical premiere will happen this August and the film will continue from there on a German cinema tour through many cities. You will be able to find more info about this at http://www.rapideyemovies.de/ once it’s up. And we’ll have more info and specifics soon.

England: we do not yet have a dvd distributor here, so be sure to catch these screenings!

Manchester: Starts 20 May at Islington Mill www.islingtonmill.com
On Facebook: http://www.facebook.com/group.php?gid=248745878570&ref=ts

Cardiff, Wales: Thanks to an excellent turnout and continued demand, we’ve been invited back for a second run, beginning 21 May. www.chapter.org
On Facebook: http://www.facebook.com/group.php?gid=233801483322&ref=t

Newcastle, England: starts 25 June @ Stars and Shadow Cinema. http://www.starandshadow.org.uk/
On Facebook: http://www.facebook.com/group.php?gid=220173173253&ref=ts

USA:

LA: The film is screening at a benefit in LA this coming weekend. I have to be honest with you, I don’ know much about this. All proceeds go toward a Charles Mingus youth center; we like Mingus, so we said sure. I can’t vouch for anything else about this, on the website we’re listed as part of a death metal afternoon. So. If you’re in LA, missed the film at Laemmle’s, and don’t want to wait for the DVD, this is for you. Info here: http://laweekend.laweekly.com/

Roanoke, VA: 6/15 one show only, @The Shadowbox Cinema http://www.theshadowboxcinema.com/

Reminder, if your town or country isn’t yet confirmed for a screening or DVD, call the local indie theaters and distributors and request it. You can also make a local facebook group and get your friends involved.

In the US, theaters can book from Variance Films.
In the UK, they can book by writing us at info@blackmetalmovie.com.
In Australia/New Zealand they should contact Shock Films.
In German speaking countries they can contact Rapid Eye Movies.
If your country is not listed here, and if you have contacts with any distributors, please write us.

* 27 x 40 inch Posters are available here: http://www.blackmetalmovie.com

$20 plus shipping ($6 in US, $10 international, if it’s an international order you must do this manually on paypal, using this email address)

Thank you,
Audrey Ewell and Aaron Aites


SEVERE CLEAR (2009)

I had thought documentaries and films depicting the atrocities and casualties of the continually on-going war in Iraq were slowly dissipating…well, who the hell am I kidding? Since the war ain’t going anywhere anytime soon, no matter who is the president of the United States of America, neither shall the countless documentaries and films making social commentaries on the ongoing war against terrorism. Whether one believes in the motives for going to war, supports the military, or completely oppositional against all manners and reasons for war, I still believe that supporting our troops is essential. It takes courage to do what they do, voluntarily by enlisting or enlisting because they really did not have too many other options.

Severe Clear (2009) is a film that was written, edited, and directed by award-winning filmmaker Kristian Fraga. A documentary that was filmed by U.S. Marine 1st Lt. Mike Scotti using a mini-cam while serving his country in Iraq during Operation Iraqi Freedom in 2003. Scotti, a combat veteran from the war in Afghanistan, was sent to Iraq as part of the first wave of soldiers to go there and him, along with other members of 1st Battalion, 4th Marines are the stars of this grim and compelling documentary narrated by Scotti himself. Along with taking camera footage of his time in Iraq, Scotti also kept a journal, much of which was used for narration throughout the film.

Severe Clear stands out from some of the other war documentaries that I have viewed (Gunner Palace (2005)), as well as other documentaries on the war in Iraq which I have not yet viewed (The War Tapes (2006), in the manner it balances the atrocity and carnage that war produces with the thoughts and feelings of a soldier and his ties with family and loved ones, painting a vivid picture showing viewers that there are more “grey” areas in war and many undesirable outcomes to it. At times, the footage is extremely gory and grim (as it should be) and there weren’t scenes that were watered down or censored. Throughout the documentary one gets much more than a glimpse of corpses littered around semi-recent firefights and skirmishes, as well as bodies blown apart from explosions and heavy artillery. To say there are some scenes of extreme graphic footage would be putting it much too lightly- this footage is the real deal.

War is grim and this documentary really captures the frenzy and chaos of an ambush by Republican Guard soldiers or the short and unexpected blasting by a handful of civilian clothed men firing RPGs and AK-47s incessantly at American soldiers. A decent amount of the news footage and commentary from news broadcasts is used to alliterate the points and comments formulated by Lt. Scotti spoken to the audience from his journal, but throwing in press statements by George W. Bush and Colin Powell only illustrates many of the pretenses and reasons that a young man may have been motivated into enlisting in the Marines in the first place. Do good for your country to fight the atrocities of 9/11 and fight the war on terror. Go out and help find the weapons of mass destruction as Rumsfeld, Bush, and Powell continually told Americans in national broadcasts aired worldwide.

Director Fraga did a fine job editing some very intense footage that ranged in tone from light-hearted shots of soldiers just being regular guys killing some time with their buddies at camp to scenes of marines right in the “thick” of things, getting shot at from unseen enemy soldiers, just the flash of their gun the only clue that there is in fact somebody out there in the deserts’ black night.

The soundtrack to the film was original music written by Cliff Martinez (Traffic, Narc) was very moving and fit well with the footage it complemented. For me, the film really did not present any points or voices that I had not heard already, but the film did keep me entertained and interested in seeing what direction it chose to head in at certain given points. Living in a day and age when anyone with a digital camera can record anything they choose, I have seen an abundance of footage concerning the war in Iraq, both professional and amateur. After all, the media is as much part of the war these days as the soldiers fighting in it, going to locations of heated battle and being in as much danger if not more as the soldier are all in the name of “scoop”. The only difference is Severe Clear does not cut the gory shots of a man’s head whose brain tissue has been blown out the back end or the sad story of a father and his daughter being riddled with machine guns for failure to stop at a routine military check point, the young daughter killed in the aftermath.

With maps and the route U.S. Marines took on their march to Baghdad, viewers are shown just how much resistance was thrown at American soldiers via the map graphic on hand throughout the film. Not only are insurgents and Iraqi soldiers trying to kill the Marines, severe sandstorms and a lack of supplies from the military make matters even more unbearable and dangerous. Nothing is watered-down in this film and its portrayal of war. 

Severe Clear takes you where the soldiers go and gives one access to the thoughts and feelings of a soldier throughout the whole experience. This is in itself somewhat unique and far more personal than other films covering the topic of war in Iraq and a selling point for me enjoying this film.

To date, this film has not been rated and has been released theatrically in New York City, Los Angeles, San Diego, Dallas, Houston, Salem, Mass., and Saco, Maine. A special preview of the full-length feature is now available for purchase exclusively on www.DeepDiscount.com, with a retail version with special features released later in the year on Dvd and Blu-ray. The film is presented in 16×9 widescreen (1.85:1) and its running time is approximately 93 minutes in length.


Ride Around the World (2009)

Ride Around the World is a documentary presented for the IMAX theater that follows the history of the cowboy, which I had actually thought originated in Texas in the United States. Well, as usual, the subject of anything relating to Westerns, horses, and cowboys- I know nothing of. Ride Around the World traces back the history of the cowboy to over 1,000 years ago. As always, something I am completely wrong and misguided on, I want to learn more about.

Director Harry Lynch created a breath-taking film that truly takes advantage of the larger format IMAX film, which really captures some excellent high-quality footage, full of landscapes and lush scenery as well as incredible action-shots as horses galloped across the screen. The documentary is as gorgeous as it is informative. The documentary finds the perfect balance between allowing viewers to learn a great amount of information about the history of the horse, the cowboy, and the traditions that go along with it, but still encompassing some of the most spectacular footage one will ever see. 

What blew my mind was the fact that so much of what I knew about cowboys was really passed on from traditions in Morocco, Mexico, and Spain. I guess I sort of could expect Mexico and Spain as being very much a part of horse culture, but Morocco was a total surprise. I learned how much of the English words and terms connected to cowboys, ranchers, and horses originated from Spanish words.

As well as the fabulous cinematography (Rodney Taylor, Director of Photography) with the insanely beautiful landscapes, the music for the doc was actually pretty cool. It fit in well with the whole tone and vibe of the documentary. The only aspect of the film that was a downer was the fact that it was only 44 minutes long. I really wanted to see and learn more about cowboys and horse-training techniques, both of which I got all my schooling from by watching Spaghetti Westerns and Clint Eastwood flicks.

Along with traveling to Morocco and Spain, viewers travel to Argentina, Chile, British Colombia, and Texas. History, dramatic scenery, and culture are all things that one will encounter in the documentary Ride Around the World. Included on the dvd is a really entertaining “Behind the Scenes” segment that actually is from a show entitled “America’s Horse“, in which the producers of the show present one with extra footage, interviews, and some of the trials and tribulations that the filmmakers had to overcome to make the film.

In addition to the behind the scenes segment, there is a film trivia quiz and some trailers. I took the quiz and did quite well. I paid attention during the film, so I advise that viewers also pay attention so that they can ace the quiz. I can see this dvd, winner of the 2007 “Best Documentary” at the Western Heritage Awards and the 2007 “Gold Medal” at the Park City Film Music Festival, can be used as an useful learning tool in schools or any type of institution for learning, but in a fun way. It is a very entertaining documentary and I feel that anyone, horse-lovers or not, will find that this documentary to be a very unique and interesting view.


WILDLIFE COLLECTION (3-disc box set) (2009)


Having just seen the photos and travels of a good friend that just got back from the Amazon, I felt it only fitting to pop in the Smithsonian Networks Wildlife Collection, a box set with three dvds including Pandas in the Wild, The Big Blue, and Wanted: Anaconda with a bonus feature, Footprints on the Water: The Nan Hauser Story. It definitely sparked a fascination and awe inside of me that gave me a somewhat nagging travel itch that I have yet to scratch for some time. I really do need a vacation, possibly somewhere exotic, but maybe not quite as exotic as the regions that Wildlife Collection has taken viewers.

I started off with the first dvd, Pandas in the Wild, where we are taken to China and the Qinling Mountains where a team is tracking the Giant Panda in its natural habitat, which is quite a feat considering they spend most of their time above 8,000 feet where bamboo is plentiful and there are only about an estimated 1,600 left and 300 living in the aforementioned mountains.

I really knew zilch about the Giant Panda but that all has changed after viewing 45 minutes or so of some of the most beautiful cinematography of the mountainous landscape of China as the research team arduously treks through the rugged terrain for ten days before catching a single glimpse of the Giant Panda doing its normal, everyday routine. Viewers are offered a rare shot of a baby Panda caught napping in a tree, female and male Pandas going through their process of mating (they rub their sex organs and juices up against trees to let each other know just how sexy their scent is), and even are offered a showdown of sorts, as two male Pandas battle it out for the right to mate with another female. I, for one, have never ever heard or seen any footage of Pandas fighting and had not heard their battle cries and roars. It was quite an eye-opener for me. Seeing the beautiful and beasts getting into a raging fury to win over a female was quite a site, violent bloody stains left on the nearby trees after the fight certainly kept my eyes glued to the screen, and I was, much to my surprise, glad that I watched the Panda documentary first. I had to laugh when the narrator said that procreation between male and female Pandas only last between 30 seconds and a minute, the females are VERY choosey, when one female Panda finally does choose a male Panda and they mate, all the other male Pandas in the vicinity that were not chosen gather around and watch them go at it. Sounds like the Pandas are pretty perverted. I also learned that Pandas were carnivores and evolved into herbivores.

There is so much more in just those 45 minutes of footage and narration, done by Kirsten Krohn, who had a very gentle and serene voice, that it is definitely worth a watch. Happy with disc 1 of 3, I moved on to the next one.

In The Big Blue, we are taken to Australia in search of the world’s largest animal on the planet, The Blue Whale. Following Dr. Pete Gil as he tracks and studies the whale, we are privy to more breath-taking footage of the ocean and all its creatures as they gather around, traveling to the Bonny Upwelling off of Australia’s east coast. The Bonny Upwelling is a natural phenomena where, in layman’s terms, a bunch of nutrients rise up from the ocean floor like an upside-down waterfall and disperse nutrients, plankton, krill, etc…Basically, a bunch of food that whales like to eat and there normally is tons of it concentrated in one area. The whales travel miles and miles for this seafood buffet and many creatures are dependent upon it happening.

Not only are Blue Whales shown speeding through the sea (they can travel up to speeds of 30 knots and are known as the “greyhounds of the sea”. There is footage of the largest gathering of Australasian Gannets at Lawrence Rocks, fur seals, little penguins, and Southern Blue Fin Tuna. One scene that I probably could have gone without seeing was footage of the Blue Whale defecating into the sea and viewing the scientists collecting the stool samples. I never had seen whale take a dump before and I can’t say that I ever want to see it again. I really enjoyed the vast amount of knowledge entailed within the dvd, but I enjoyed even more the bonus feature on Nan Hauser. Footprints in the Water: The Nan Hauser Story was a wonderful feature that plays itself out as a sort of biographical sketch of Nan Hauser, narrated by Hauser herself, as she tells viewers her dreams, aspirations, goals, and future projects about her love and life’s research of whales. Footage from the Bahamas and the Cook Islands was amazing and Hauser’s very unorthodox style and manner make this the most enjoyable segment of all three discs. One of the quotes from Hauser that really stood out in my mind was this one:

“We all have a calling. Some people follow it and listen and some people don’t. I hope that most people find that calling.”

A very inspirational and take-charge kind of gal, I found myself admiring her for so much determination and energy she devotes into a subject and career that is both deeply meaningful and satisfying to her. Plentiful with footage of the spotted, bottlenosed and spinner dolphins, sperm whales, beaked-whales (which I have never even heard of nor seen), it was very refreshing to meet a scientist who has a fun-loving and easy-going personality and is not your typical nerdy or stuff scientist. There is even some footage where a whale rammed her boat on purpose, resulting in a friendly encounter that lasted 33 days as well as some very rare footage of a Beaked Whale calve suckling its mother. I enjoyed this segment the most out of the three dvds.

The one dvd that I had thought to find the most fascinating I ended up liking the least. I think that was partly due to the manner in which it was filmed and set up. Wanted: Anaconda was made like a movie more than a documentary and was littered with set up shots and dramatization. I just did not go for it whatsoever. It really was generic-looking in how the shots and camerawork was done. There is some cool footage of the Anaconda, but most of the snakes were not very large (in terms of Anacondas) and averaged about 16 feet or so. The segment did have some very high gross-out footage in it though. I will give the feature credit for that. There is some graphic underwater footage of an Anaconda giving birth to baby Anacondas and its bloody, gooey, and grisly. I sort of cringed watching the creature in labor as the bloody umbilical cords and egg membrane oozes all over. If one is not a snake lover, this will probably put them over the edge, or make them never want to watching anything on birth with snakes.

I also like to call this segment the James Bond segment. This group of scientists have more Radio Shack gadgets and toys made to capture footage, photos, and collect data than I have ever seen used by any one group of researchers. We have helicopters, planes, boats, trucks, and submarines used here by the scientists. It was quite hilarious to me to see them using all this gadgets to seek out Anacondas. I guess they were not so thrilled to get so close to such a massive and deadly creature. I really started cracking up when one of the “toys” messes up and they lose it to a mechanical malfunction. I wondered, too, how much money they lost on that invention.

All in all, the box set of raw nature and wildlife was definitely worth my time to watch and something I may pop in again, especially when I get that travel itch. The dvds run approximatley 187 minutes in length with a TV-PG rating and retails for around $29.98. They are presented in letterbox with an aspect ratio of 4×3 with a 1.85 matte and include subtitling for the deaf and hearing impaired. I can’t say that I have ever watched a Smithsonian Networks feature that I did not enjoy on some level. They always have excellent quality dvds and cover a vast array of subject matter. I have always been pleased with their dvds. They have been of the utmost quality and have superb audio and video on each and every one of them. I highly recommend checking out their Wildlife Collection. It is a total winner.


The Real Story: Part 2 (2009)


The Real Story: Part 2 is the second part in a series that explores the back stories behind some of Hollywood’s films that are based on fact about real events that occurred in life, in some way or another. The Real Story part 2 gives viewers a hard look into what really happened through facts, testimonies, journalism, and first-hand accounts about what really happened that Hollywood based its films upon.

Our first story talks about Al Capone and his tyranny in Chicago, much of which the film The Untouchables was based upon, but instead the real story is given to viewers which I felt was much more interesting than Hollywood’s rendition of what happened with Al Capone and his arch enemy, Elliot Ness and the “Untouchables“. With insight and and re-enactments from biographers on the subject, the real story on how Al Capone his crew of criminals was taken down. The IRS opens up the Capone Files for this extremely interesting look into what really happened. As Capone biographer, journalist, and best-selling author Jonathan Eig digs further into the Capone files that the IRS possess, some documents opened and explored for the very first time, I was fascinated by hearing a story that I never knew existed nor was aware of before.

The story is told through interviews, archived documents, photographs, testimonies, and dramatic re-enactments that flow along with narration throughout and gives the viewer a very fascinating look at Chicago’s most infamous gangster. As fun to watch as the movie The Untouchables is, certain scenes in the film never took place or happened just the exact way they portrayed them as happening. Frank Wilson’s story on how he was pivotal in taking down Al Capone through income tax evasion.

Being a native of Chicago my entire life, I appreciated the beautiful cinematography of key locations and architecture taken through-out the city to bring back viewers back to the ’20s with buildings date back that far in history. Viewers find out that Capone’s downfall was through a hanging-judge, poorly-served lawyers, and the government bending the rules to nail him. It seems that in the end, Capone broke the law to make his fortune and rule the city of Chicago but that in breaking the law it was within that his downfall occurred. We also find that Frank Wilson is one of the unspoken heroes in case that brought Capone down. Elliot Ness was given most of the credit in The Untouchables, but in reality, he was not the only factor in Capone’s incarceration. The filmmakers also go to say how still, to this date, the city of Chicago still has a criminal organization (known as The Outfit) running crime there to this day. The segment on Al Capone runs about 45 min. long.

Our next chapter focuses on the books and stories behind Ian Fleming’s James Bond, the most celebrated and well-known spy ever to grace the screen and be read about in books. James Bond is the most famous secret agent the world has ever known. With interviews by John Pearson, Fleming’s assistant at the Sunday Times, we are told about Fleming’s personal side to life. We find that Fleming was in the military and had been given a position where he was privy to confidential documents and dealt with spies for the British government. Casino Royale was based upon a real-life experience when Fleming tried to take out some German spies. By taking some real-life events and giving them some artistic flair, the character James Bond was further developed through new missions, some that Fleming was sent on and some he had read about in case files. Agent M is based off of Admiral Godfrey, someone who actually existed. Family members of Godfrey give insight into his personality.

The story is truly fascinating, whether one is familiar with the James Bond movies, novels, or even interested in military history- the information and the narrative are extremely compelling and edited flawlessly with an arsenal of photos, stories, real-life accounts and testimonies from family, co-workers, and professional acquaintances. It sounds like Ian Fleming had a fair amount of James Bond’s character possessed within him, even though Fleming was kept behind a desk during World War II because he knew so much confidential and sensitive information that he would be a huge risk if captured when on the front lines of the war. Or maybe agent Patrick Dalzel Job, a distinguished British Naval Intelligence Officer and commando of World War II, that was independent and always found ways to get around bureaucratic government red-tape was responsible for most of James Bond’s character traits. Was Job the basis and inspiration for the action-hero side of James Bond?

After viewing the portion of the dvd on James Bond, I was really intrigued and compelled to run off to my local library or bookstore and pick up some of the Ian Fleming books based on the world’s most famous spy. This segment was so packed full of intriguing information that I really was going to explode due to sensory overload!

The final segment, Indiana Jones: The Real Story, we get to take a look at one of the most successful action/adventure franchises ever. I am a huge fan of the Indiana Jones films, personally. This asks were there real-life characters that inspired this icons origin? George Lucas and Steven Spielberg together on one film, two of the biggest directors and producers in Hollywood- How can the movie not be epic?

This segment goes into some of the real-life individuals that may have been responsible for shaping the character of Indiana Jones-the real men behind Indiana Jones. Being somewhat of a history buff, I found this piece very fascinating. The first adventurer that the documentary focuses on that may have been the basis for the character of Indiana Jones is the naturalist and zoologist Roy Chapman Andrews, a modern-day explorer and quite possibly the biggest inspiration for the character. Chapman, just like Indiana Jones’ character, is gravely fearful of snakes. The piece really focuses on Chapman, how serials and stories, such as Edgar Rice Burrough’s Tarzan, paid tribute and homage to Roy Chapman Andrews in a preface. Andrews, by accident discovered the Flaming Cliffs, along with a skeleton of Protoceratops, as well as a bunch of dinosaur eggs. It was a massive find. With plenty of insight and clips from films inspired by Chapman, as well as fun re-enactments, this segment makes for some very enjoyable viewing.

We do find out though, that the supernatural held no interest for Andrews, as it did so much for Indiana Jones’ character. Otto Rahn, the German medievalist and officer in the S.S. is one factual individual that did exist and was quite possibly the basis for Indy too, although he was never said to have been any influence by Lucas and Spielberg. I found this individual to be extremely fascinating and intriguing. Rahn was extremely blown away by the Occult, much of which was very similar to Indiana Jones’ fascination with the occult. It goes into the involvement the Nazis and Himmler had in regards to finding the Holy Grail. Once Rahn was “asked” to join the S.S., he still continued his research and much of the 1st in the Indiana Jones film, as well as in The Last Crusade, touch upon many of these true subject matters. This segment of the dvd was the most interesting and fascinating to watch. It seemed to me that the segments continued to get better and better as the dvd went on.

Having only received part 2 of this very informative and fascinating series presented by Smithsonian Networks and Infinity Entertainment, I look forward to more scholastically intriguing and thought provoking entertainment from the these guys!

The dvd is presented in letterbox with an aspect ration of 4×3, Dolby Digital 5.1 Surround Sound or 2.0 stereo. Special Features include subtitling for the deaf and hearing impaired and sneak peaks of other titles in the Smithsonian DVD library. The dvd runs over almost 2 1/2 hours long and is well worth a watch!


Cocaine Cowboys 2:Hustlin’ With The Godmother (2008)




Cocaine Cowboys 2: Hustlin’ With The Godmother is the true story of Charles Cosby, a self-made drug dealer from the streets of Oakland, California and his rise to the top of the cocaine sales and distribution market through his relationship with Colombian drug baroness Griselda Blanco. Cocaine Cowboys 2 picks up where Cocaine Cowboys left off, turning the focus exclusively from Griselda Blanco and her claim to fame for supplying the greater part of Miami, FL with most of their cocaine to Blanco’s newest boy toy and his role and part in her life chronicling Cosby’s rise to power.

Although his last name is Cosby, “The Cosby Show” this is not! Director Billy Corben has molded a documentary that is full of energy, style, and pizazz-there are no slow or dull portions within this film. Through photos, letters, interviews with Cosby and law enforcement officials, as well as dramatization and re-creating key events, Cocaine Cowboys 2 does a damn good job of showing the viewer just how hectic and dangerous a drug dealer rising to the top’s lifestyle truly is.

I think that the fact that Charles Cosby has a certain charismatic quality and demeanor to him makes for great viewing. Cosby has an almost showman-like quality to him and one can’t help but almost grow to like the guy by the time the documentary has finished and run its course. The real-life Griselda Blanco, notorious for being the baddest bitch of them all, the Black Widow, has key portions of her life story told to us by Charles Cosby as he relates hours of phone conversations he had with her while she was locked up in prison for drugs and murder (her name is attached to over 250 murders).

The inspiration and idea for the Brian DePalma film Scarface, starring Al Pacino, apparently was inspired by the true-life events in Miami during the 1980’s in which Blanco, a.k.a. the Godmother, was the basis of. Director Corben does a great job of keeping the narrative of the film flowing smoothly, as well as editing together key photos and interviews to give a greater overall sense of what Charles Cosby really was and now is all about. Cosby was one who was very fortunate to have gotten out of the game of cocaine and drug distribution and one of the only romances that Blanco had that is not buried six feet under. Cosby lived to tell his story and luckily for us, director/producer Corben and cinematographer/co-producer David Cypkin decided to share with viewers a story that they felt was worth telling.

I, personally, feel that too many films glamorize the life-style that drug users seem to have at certain points in their lives and it’s nice to see a former drug dealer tell audiences that he is lucky to be alive today and now has a family that he loves and cares for. One question that I think still went unanswered is, “What the hell is his job now?” Hell, maybe he is still living off the millions of dollars he made in his heyday. I am sure he stashed some cash away for a rainy day and I guess that the really smart ones are able to know when its time to get going and leave the scene before a competitor decides to start his or he rise to the top and knock the king of the hill off onto their ass.

The documentary goes into the backgrounds of both Cosby and Blanco, as well as the climate and culture of the West Coast and Oakland during the ‘90’s. One really gets a sense of the just how big the cocaine market was, and still is to present day, through news footage, press clippings, and verbal testimony by friends, associates, and family. I really enjoyed watching a how-to segment on how cocaine is turned into crack cocaine via a very detailed and descriptive step-by-step tutorial. Co-producer David Cypkin states in the audio commentary that having a portion that shows one how to make cocaine into crack cocaine may have been irresponsible and I just may have to agree with that. Hopefully after seeing how much murder, bloodshed, and loss was associated with the deadly drug, no one will want to mess with the manufacturing of it.


Hustlin’ With Charles Cosby: The Making of Cocaine Cowboys 2 was a really interesting segment included in the extras. It ran just over 15 minutes long and showed some really cool scenes with friends of the neighborhood, as well as how the theme song to the film came to be made. The audio commentary with director Billy Corben and co-producer David Cypkin goes into even farther depth about more facts and aspects of the whole drug war with the cartels and their casualties. Having seen both Cocaine Cowboys and Cocaine Cowboys 2, I think these filmmakers easily have enough material and information to make several more documentaries chronicling everything. There is a trailer for the film, as well as Madman Propaganda, consisting of trailers.

Before you rush out to BUY Cocaine Cowboys 2: Hustlin’ With The Godmother, make sure you get your hands on Cocaine Cowboys. I can’t recommend enough this film and its original. I would have never known any of this part of the seedy drug culture in the United States and it really gives insight into films involving drugs and gangs, such as Scarface, Boyz N the Hood, and Colors which all focus on drugs and the fallout that associating with them can cause.


In Search of Santa Claus (2009)

I always have had a place in my movie-viewing tastes for the documentary and non-fiction film-making. Whether it be the countless hours I have poured over on the History Channel on outlaw motorcycle gangs or street gangs, the occult and macabre, or history’s most brutal wars and genocides- the documentary can be as dark and grisly as any past or present horror film.

So, with the holidays right around the corner, and Christmas films soon to start flooding the television and cable networks with that fat bastard in a red and white suit, black boots, and a gnarly white beard- I thought it would be key to review a documentary that goes into the history of Santa Claus- how did this iconic and cultural heavyweight come to be? What is Santa Claus’s origin? Where did he come from?

The Smithsonian NetworksIn Search of Santa Claus takes a very in-depth look at the origins into who Saint Nick, Father Christmas, Kris Kringle, and Santa Claus really is. Santa Claus and the image and of him has had different names and had different roles, the documentary going into depth sharing the history of the fourth century miracle worker Bishop Nicholas of Myra in modern day Turkey, the sixth century Abbot Nicholas of Zion, or the pop-culture icon we in the U.S.A. know him as in commercials, most famously the modern-day image of Santa from Civil War-era cartoonist Thomas Nast whose artwork was used to calm the soldiers during the holidays and Coca-Cola ad execs who have since adopted the image 50 years later.

Those that know me can attest to the fact that I am not a huge fan of the holidays, but this documentary peeked my interest around every corner, most specifically upon hearing that St. Nick declared war against the Pagan religions that had made sacrifices to the Greek and Roman Gods for years and prayed to Apollo, Demeter, and Zeus. Bishop Nicholas declared war on these Pagan Gods in the town of Myra and destroyed their temple.

The 47-minute documentary is filled with beautiful cinematography, crisp edits, and a pace that moves along and is not too lengthy or cause the viewer to lose interest. If anything, the film peeks the interest of the viewer with enough historical fact and geographical shots of key cities, towns and topography to give the viewer a sense and feeling of where exactly in history the Santa and his origins developed.


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Presented in a letter-boxed format with a 4×3 aspect ratio and 5.1 Dolby Digital Surround Sound and 2.0 Stereo, the disc’s presentation on screen is flawless in both sound and picture. As for any extras, there really are none, minus the trailers for upcoming and previous Smithsonian Networks HD programs and subtitling for the deaf and hearing impaired. With a suggested retail price of $9.95, I think it would be money well spent if the history of Santa Claus is something one is interested in.


H. H. Holmes: America’s First Serial Killer (2004)


Chicago-native John Borowski has directed and produced a very interesting and fact-filled documentary, H. H. Holmes: America’s First Serial Killer, complemented with dramatization and superb narration by the excellent Tony Jay, an actor and voice that has been seen and heard in countless films and television productions to create an all-around, solid fact-filled 64 minutes of appalling accounts of America’s first serial killer.

I first met John Borowski at Chicago’s leading independent horror website Horror Society, which I write for, during one of their film fests entitled Summer Slaughter, which was quite fitting for Borowski to be selling his documentary on one of the world’s most notorious serial killers. Slasher films were being played all night and why not being selling a documentary about someone who made fantasy killing a shocking reality. H. H. Holmes was a man I knew nothing about, mainly due to the fact that I was not very intrigued by “modern-day” serial killers as much as I was interested in more current sociopaths and psychos. It really had to do with the fact that I did not think that man could be so nasty as he was right now. Boy, was I wrong!

Borowski’s documentary does a superb job of filling the documentary up with loads of knowledge and research while also maintaining a film-like atmosphere, thus not making the non-fiction piece of work feel like one was in history class, being flooded by tons of facts and not much visual stimulation. For my tastes, one who enjoys history but enjoys the sordid atrocities of life more than the pleasant ones, this film was a perfect match. It intersects scenes of photos and drawings with live-action drama re-enacted by actor and actress alike, filled with an aural intoxication by the late and great Tony Jay narrating throughout the entire film.

Most intriguing to me were the shots of various spots around Chicago, which I am a native of, having lived in the city and surrounding suburbs my whole life that H. H. Holmes had lived in and around while committing his most insidious crimes on unsuspecting victims, men, women, teenagers and little children with not so much as a remorseful bone in his empty conscience. Here was a man that was truly horrific and was the embodiment of evil in every aspect of the word. Great detail was put into every aspect of this documentary and no fiendish act committed by Holmes was left out, neither were his crimes ever glorified at any point, as some sensational films on the subject tend to do.

I also found enjoyment that the director chose to have one of the most famous authors of the most infamous serial killer, the subject of many horror films old and new, Harold Schechter who wrote Deranged, a book entailing the heinous crimes of another sick individual, Wisconsin’s very own Ed Gein. If that was not enough, also on hand were Criminal Profiler Thomas Cronin and Programs Section Chief of the Illinois State Police Forensics Science Center Marian Caporusso. The film was set at a very comfortable pace, not too fast that the viewer has no time to digest all the facts that are given to him or her, but not so slow that one loses interest or finds the overall tone of the documentary to be a adverse exercise in one’s tedious boredom.

The film’s soundtrack was masterfully done by Douglas Romayne Stevens and the production does not cut any corners in the film’s look or professionalism. This easily can be one documentary that one would find on the History Channel on any given day when serial killers were to be the focus of topic. In addition to its slick and polished look, the film comes with an abundance of special features and extra goodies. Thee is included a 20-Minute Making Of segment, Outtakes, Trailers, Poster Designs , and a very interesting segment entitled The Story Continues, as well as Bios and Commentary with filmmaker John Borowski. I am also happy to note that the dvd is distributed by Chicago’s very own Facets Video.

Myself being a very big fan of documentaries, especially those dealing with the seedier elements of life in the world, I was not only too happy to pop this in my dvd player and find myself enjoying it very much, even if I was ashamed for knowing next to nothing about such a maniacal individual, one who lived in my own city and state for a large period of his life.

Do one’s self a favor and check out this film-whether you enjoy it or not as much as I did, you certainly will be horrified at the unfiltered facts and truths about H. H. Holmes and his despicable murders in one of the few serial killers to actually go to college and graduate, only to become one of the smartest and ruthless killers society ever knew.


HBO acquires rights to Obama doc


The Hollywood Reporter reports that

HBO has closed a seven-figure deal for U.S. rights to an untitled Barack Obama documentary from producer Edward Norton.